If you live on an isolated island, or in a prison cell, how would you mark the passing of time, scratches on a wall perhaps? Eschewing the rhythm of day and night, artist Fiete Stolte invented an 8 day week divided into 21 hour days thus cutting himself adrift from the lives and rituals of those around him. He contended his work stemmed from having lived in ‘isolation’ (in the ‘peculiarly’ adrift wall-era Berlin).
Time: Saturday, 1pm. Place: Venice Biennale Open Table; 20 of us (including curator Christine Macel) discussing: time, place, the ephemeral and isolation, which of course led me back to how – in isolation – we devise (or re-invent) structures (such as contour lines) for ourselves as a means to comprehend place.
It was, for me, the most interesting event of the Biennale: sharing of ideas, questioning assumptions, grappling with why we think what we think in a way that sometimes ‘looking at art’ (rather than engagement) just doesn’t cut the mustard. For the like-minded, may I suggest a time: 2.30 to 5pm, Friday 8th December and a place: Room 3.39 Armstrong Building, Newcastle University for a roundtable on maps and mapping. Organised by Cultural Significance of Place Research Group, the event is free and open to all, though as it is expected to be fully booked reserving soon (now) is recommended: firstname.lastname@example.org. More information on the Events Page.
“In the beginning, the land was soft”, thus began the first talk of the British Cartographic Society’s Symposium. By William Cartwright, the words relate the ‘feel’ of Australia before ‘lines’ (fences, roads, and railways) snaked their way into and across that continent; the ‘softness’ due, quite literally, to the absence of hoofed animals (or shod humans) to compact the ground.
Talks ranged from the historical, poetical, deeply thoughtful, through to the airy heights of hi-tech. I missed “Using PopChange Raster data with RStudio (nope, me neither), to attend “Adding an extra dimension: basemaps for modern GIS” on the grounds I understood most of the words used in the title. Yet here too, the excellent Nicholas Duggan lost me on software I am sure I could understand if my head wasn’t firmly stuck in the 18th Century.
The joy of these events is the quality of conversation between talks and the shared passions. Without understanding ‘how’, Nicholas has laid my recreation of Hutton’s (missing) contour map over a GIS generated relief map of Schiehallion, (follow this link for a fuller picture than these screenshots can give), opening up an entirely new approach to visualise and assess the data Hutton was working from: thank you Nick! (And a huge thank you to BCS for inviting me to talk).Next up: CSoP (see events page for an explanation)
Posted in Uncategorized
Tagged Charles Hutton, Contour Lines, Cultural Significance of Place, Drawing, GIS, History of Cartography, Maps, Nicholas Duggan, Schiehallion, The British Cartographic Society, William Cartwright
The programme is published and booking system live, for the British Cartographic Society (BCS) – Society of Cartographers (SoC) Conference.
There are plenty of interesting talks, workshops and debates scheduled, and as the blurb says: come and join with mapmakers, map users and other enthusiasts at Redworth Hall Hotel, County Durham, DL5 6NL
5th to 7th September 2017.
To book a place use the link http://www.soc-archive.org.uk/mapreality/index.html
I am delighted to be showing models and related work throughout the Conference, and to be giving a talk about the project on the Thursday morning.
It was the best of sunny Highgreen that saw the launch of the second edition of the publication last Sunday. Aside from the story of the invention of contour lines – and lots of images – there’s a short piece by Sara Maitland and a longer one from Chris Fleet of the National Map Library giving an overview of how the story of contours sits within a history of cartography. It’s a good read and if you don’t have a copy already and would like one, please message or email me.
Great also was to be sent images of the models from Tim Bird. Sadly they’re boxed up again now and unlikely to see daylight till the British Cartographic Society Conference this Autumn (unless anyone knows of a venue that would be interested in hosting them?)
Sunday 23rd April between 2 and 6, the Great Lines Project will be back at Highgreen Manor, Northumberland. It’s only a small part of the next Sharing Day, the main event is artist in residence Lucy May Schofield’s beautiful new print works.
Last time I was there the contour models weren’t finished, so I will be showing these plus – with luck – the second edition of the booklet (very pleased the first sold out) which is with the printers at the moment.
If you can make it along it would be great to see you there.
Late notice, apologies. I’m talking about the project again, this time it’s at a Research Slam in Edinburgh, (tomorrow night).
It’s free, so if you’re in the vicinity – and free – please come along: https://www.eventbrite.co.uk/e/the-library-research-slam-tickets-30073045288
The plan was to produce the Great Lines publication in time for the Opening at the Lit & Phil last June, but one of the advantages of the delay has been that I could include images from the Exhibition within it.
I am really pleased with the results which include a wonderful opening text from Chris Fleet (from the National Library of Scotland) and a closing one from Sara Maitland (Author). Sandwiched between are 26 pages of images and texts, some new, plus some that have appeared previously in the blog.If you would like to order copies, please email me for details: email@example.com